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– Song is "Subtlety" by Topaz https://topazzz.bandcamp.com/album/faux-linear I recommend setting the Youtube resolution to higher than your viewing resolution, compression really hurts this vid. I put this together on short notice in about 3 weeks. It's not as well-planned as my other stuff, and some of the experimentation is kinda shallow. I worked pretty tirelessly in After Effects, trying to come up with ways to beat-sync without just repeating the same transformations. As always, please share this vid with everybody in your life because I don't have a lot of followers and this will only get about 1,000 views if people don't post share it around. –– Downloads –– 1440p, 1080p & 720p 60fps video downloads: https://mega.nz/#F!wZcGSZCL!I8pxJEvxOFNBv_U-hHpbGQ There are also project files, which include the After Effects project, as well as some of the 720p footage proxies. Flickr album with a bunch of frames: https://www.flickr.com/photos/84165078@N02/albums/72157678378569871 –– Thoughts & Details [ ʏᴏᴜ ᴄᴏᴜʟᴅ ʜᴀᴠᴇ ᴍᴀᴅᴇ ᴛʜɪs ᴠɪᴅ ?! ] –– - Produced at 1440p 60 FPS, 2160p is upscaled for extra Youtube bandwidth - Footage was recorded at 2560x2560 so it could be rotated - Everything was recorded on the same setup as Acid Interstate V3, go check the description of that vid for those details I got the idea for this video while playing around in After Effects. I found that the "Lighten" and "Darken" mix-modes, which simply take the lightest/darkest color from 2 overlayed pixels, work really well with identical concentrically rotated layers of footage. These are commutative mix-modes, so uniform concentric rotations produce really neat radially symmetric images. I started out by messing with clips of Acid Interstate V3. I re-recorded V3 without any of the tracks or torch-beats. Additionally, I recorded 3 other segments of footage, each were about 2,000 blocks, in the same style as V3, just with different terrain. I put all the footage through the same post-processing filters as V3, and this entire video is composed of just those 4 pieces of processed footage. I favored the Lighten mix-mode, as the Darken mix-mode generally kills a lot of the distinguishable detail with only a small number of layers. This is specific to the type of footage I was working with though, and I can imagine situations where the reverse would be true. I am fairly certain everything in this video can be extended to 360°, so a VR edition might be on the way. Stay tuned. –– S o c i a l –– Twitter : https://twitter.com/BruceKnowsHow last.fm : http://www.last.fm/user/BruceKnowsHow GitHub : https://github.com/BruceKnowsHow Discord: Strutting#1529
